Preferred colors for insurance company logos are blue and green. The color green represents growth, peace, and nature. Blue, on the other hand, symbolizes peace and harmony. In insurance, a good logo is instantly recognizable, allows the customer to associate the company with important qualities like trust and protection, and also establishes loyalty.
A listing of creative life insurance company logos from throughout the industry.
Color Scheme
The client specified two colors that it wants to see in the logo: green and blue. The color green represents growth, peace, and nature. Blue, on the other hand, symbolizes peace and harmony.
Typography is the art and technique of arranging type in order to make language visible. Since the rise of digital typography, this beautiful art has known a huge expansion in styles.
The Miso font was designed with architects in mind and provides a clean and narrow typeface that’s suitable for small text but also for headlines and logos.
This vintage font is presented in contemporary curves that make the font applicable for both retro and modern designs and it contains only capital letters but also some alternate characters are also included.
This hand-sketched headline font was designed by artist Lukas Bischoff. Sketch Block makes a perfect handwriting font to create or to supplement illustrations with typography. Available free for personal use only.
Craig Ward created this free font last year in support of the GoVote campaign, which aimed to encourage people to vote in the US presidential election.
Langdon is a free typeface from XLN Telecom and leading graphic designer, illustrator and typographer Steven Bonner. Langdon is available as a free download and can be used privately and commercially with no restrictions.
Perfect for old retro designs, Bohema is ideal for headlines, editorial letterings, branding and merchandising. The regular alternative style demo is a free download.
Linux Libertine was designed by the Libertine Open Fonts Project and, according to Wikipedia, ‘aims to create free and open alternatives to proprietary typefaces such as Times Roman’.
Museo Slab is a weighty font that packs a serious punch. If you thought a free Museo sans font was good, there’re also two Museo Slab variants to accompany it.
This is Vernon Adams’ reimagining of a traditional 1930s slab serif by Heinrich Jost. The letterforms have been digitised, reshaped and optimised for the web.
This font has a classic weight and subtlety that make you think of artisan signage and craft, but its cursive lowercase lends itself to a host of different uses.
This font lacks accents and support for some common characters, but as a heading font – especially for graphic design work – it’s a great, free option.
This cool “old” font is completely free for both personal and commercial use, and this sharp sans serif, with its very low crossbar height for certain letters, instantly reminds us of the 30’s.
Optimised for use in user interfaces, Source Sans Pro has great legibility, and is also one of the web-friendly free fonts available via Google Web Fonts.
